(List D refers to Richard’s List D and his Respondent Numbers)
Vineeto’s Correspondence with Almog on Discuss Actualism Forum ALMOG: Thank you Vineeto for this explanation and emphasis on appreciation. I’ve always wondered why this phrase was cemented into the actualism method, not only be happy and harmless or enjoy this moment – but also appreciate this moment of being alive in whatever form it takes. And today while experimenting with this “fresh” information it became clear to me how appreciation, i.e. being a person who appreciates whatever is happening to him, is tightly connected to being naive because I could not bring myself to be like this without feeling a bit foolish, a real simpleton! VINEETO: Hi Almog, You hit the nail right on the head. Becoming naïve is indeed “tightly connected” to be able to “appreciate this moment of being alive whatever form it takes.” It takes a bit of courage because we are so earnestly instructed and conditioned to be serious and weary but when you do allow yourself to be sincerely naïve, “a bit foolish”, as you say, you will experience that you are both likeable and liking, i.e. that you like yourself and also like your fellow human beings. (Richard, List D, Martin, 6 March 2016). When you are both likeable and liking it is no longer important what other people might think of you (“a bit foolish, a real simpleton”) – you have unilaterally changed the parameters of how you like to feel and act in the world of people-as-they-are – naïvely. It is a delight to be sincerely naïve because there you like your fellow human beings and you like yourself. (Richard’s Personal Website, Various, A Quaint Clay-Pit Tale) [Richard]: A rather quaint clay-pit tale which nonetheless depicts the range of naïveness from being sincere to becoming naïve and all the way through being naïveté itself⁽⁰¹⁾ to an actual innocence. ⁽⁰¹⁾To be naïveté itself (i.e., naïveté embodied as a childlike persona with adult sensibilities), which is to be the closest one can to innocence whilst remaining a ‘self’ (innocence is where ‘self’ is not), one is both likeable and liking for herewith lies tenderness and/or sweetness and togetherness and/or closeness whereupon moment-to-moment experiencing is of traipsing through the world about in a state of wide-eyed wonder and amazement as if a child again (guileless, artless, ingenuous, innocuous) – yet with adult sensibilities whereby the distinction betwixt being naïve and being gullible is readily separable – simply marvelling at the sheer magnificence of this oh-so-material universe’s absoluteness and unabashedly delighting in its boundless beneficence, its limitless largesse, as being the experiencing is inherently cornucopian (due to the near-absence of agency which ensues when the controlling doer is abeyant and the naïve beer is ascendant), with a blitheness and a gaiety such that the likelihood of the magical fairy-tale-like nature of this paradisaical terraqueous globe, this bounteously verdant and azure planet, becoming ever-so-sweetly apparent, as an experiential actuality, is almost always imminent. (Richard’s Personal Website, Various, A Quaint Clay-Pit Tale, First Tooltip).And here, Almog and Jonathan, is a wonderful opportunity of experiencing many, many ‘wow’-moments.
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